Who knows what
poems he fashions
in the darkness
of a senseless life?
— Kij Johnson, short story "Mantis Wives" in Clarkesworld, nominated for Hugo and Locus awards for best short story
July 20, 2013
July 19, 2013
Her Skin
Skin
faint
as
refrigerator light.
— Adam Johnson, short story "Nirvana" in Esquire's August 2013 issue
faint
as
refrigerator light.
— Adam Johnson, short story "Nirvana" in Esquire's August 2013 issue
June 29, 2013
Strange Fruit
Crows gather in a tree
barren of leaves
and make its branches
appear heavy
with some black,
poisonous fruit.
— Benjamin Percy, "Red Moon"
barren of leaves
and make its branches
appear heavy
with some black,
poisonous fruit.
— Benjamin Percy, "Red Moon"
June 14, 2013
As Is
You're going to be as good as new.
New was never all that good, he said.
— Megan Mayhew Bergman, from the title story from her collection "Birds of a Lesser Paradise"
New was never all that good, he said.
— Megan Mayhew Bergman, from the title story from her collection "Birds of a Lesser Paradise"
May 30, 2013
May 29, 2013
Haiku for thought
Robert Hass reads translations of haiku.
Selected Haiku by Issa : Poetry Everywhere : Video : The Poetry Foundation
Selected Haiku by Issa : Poetry Everywhere : Video : The Poetry Foundation
May 28, 2013
May 27, 2013
Vision
Owing to her large, wide-open dark eyes
she had an air of permanent surprise.
— Ilya Lyashevsky, short story "Tennie" in Bull No. 2
she had an air of permanent surprise.
— Ilya Lyashevsky, short story "Tennie" in Bull No. 2
May 18, 2013
Mother's Eyes
His mother's eyes,
intimate but
untouchable,
were the blue
of great distances
after sunset.
— Flannery O'Connor short story "The Comforts of Home"
intimate but
untouchable,
were the blue
of great distances
after sunset.
— Flannery O'Connor short story "The Comforts of Home"
May 17, 2013
May 2, 2013
April 21, 2013
Prose poem
Many fine poets would
retain their power
even if their poems
were printed as prose:
the "poetry"
is deep
down
in the language.
— Dan Chiasson, in his review of new poems from Carl Phillips (The New Yorker, April 15, 2013, issue)
retain their power
even if their poems
were printed as prose:
the "poetry"
is deep
down
in the language.
— Dan Chiasson, in his review of new poems from Carl Phillips (The New Yorker, April 15, 2013, issue)
April 17, 2013
Sense and Nonsense
Life makes no sense at all.
Neither does death.
But in a weird way
that I am now beginning
to understand, it all
makes perfect nonsense.
— Paul Jenkins, "DC Universe Presents" No. 4, February 2012
Neither does death.
But in a weird way
that I am now beginning
to understand, it all
makes perfect nonsense.
— Paul Jenkins, "DC Universe Presents" No. 4, February 2012
April 1, 2013
An Edge to Id
Waka modulates charisma
and id
like a great comedian,
giving
his money-and-mollies
routine a strident —
or achly silly —
edge.
— Nick Catucci's review of Waka Flocka Flame's new album "Du Flocka Rant 2" in the March 28, 2013, issue of Rolling Stone
and id
like a great comedian,
giving
his money-and-mollies
routine a strident —
or achly silly —
edge.
— Nick Catucci's review of Waka Flocka Flame's new album "Du Flocka Rant 2" in the March 28, 2013, issue of Rolling Stone
March 29, 2013
Cool-looking authors No. 52
Sherman Alexie, short story writer, poet, filmmaker and more.
"The Lone Ranger and Tonto Fistfight in Heaven," "The Absolutely True Diary of a Part-Time Indian" and "Blasphemy"
Photographer unknown
"The Lone Ranger and Tonto Fistfight in Heaven," "The Absolutely True Diary of a Part-Time Indian" and "Blasphemy"
Photographer unknown
March 25, 2013
March 24, 2013
Cool-looking authors No. 50
Collin Kelley, author of "The Venus Trilogy" novels, poet and Atlanta literary figure
Profile in today's Atlanta Journal-Constitution (click here for link).
March 19, 2013
Cool-looking authors No. 49
Rosecrans Baldwin, author of memoir "Paris, I Love You But You're Bringing Me Down" and novel "You Lost Me There"
Photo by Susie Post-Rust
Photo by Susie Post-Rust
March 12, 2013
February 23, 2013
The Cat in Freud's Hat
Found a piece of paper in the yard apparently from a neighborhood kid's English assignment list on Lord of the Flies. One assignment option: You will create a PowerPoint presentation comparing the id, ego, and superego in Lord of the Flies and Dr. Seuss's The Cat and the Hat.
My observations: 1. We didn't have PowerPoint when I was in school (we had to use old-fashioned poster board for cool displays). 2. Why didn't they teach us there were Freudian concepts lurking in our Dr. Seuss books? 3. The book is The Cat in the Hat.
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