By Agatha Christie: By the pricking of my thumbs,
By Ray Bradbury: Something wicked this way comes.
— From Act IV, Scene 1 of Shakespeare's "Macbeth"
December 21, 2012
December 12, 2012
I should've known ...
Title of essay from The Chronicle Review: Poetry Makes You Weird.
(By Professor Eric G. Wilson. Link here.)
December 10, 2012
Cool-looking authors No. 46
Pepe the King Prawn, author of "It's Hard Out Here For a Shrimp: Life, Love and Living Large"
Photographer unknown, but likely copyright Disney
December 8, 2012
Human
What Dr. H.E. Hawthorne
lacked in opposable thumbs,
he more than made up for
in sheer ambition.
— Johnny Drago, short story "What Have I Done to You That You Beat Me These Three Times?" (Creative Loafing, Jan. 12, 2012, fiction contest winner)
lacked in opposable thumbs,
he more than made up for
in sheer ambition.
— Johnny Drago, short story "What Have I Done to You That You Beat Me These Three Times?" (Creative Loafing, Jan. 12, 2012, fiction contest winner)
December 5, 2012
Home
The most passionate Southerners
are often the ones who come
from someplace else.
— Dwight Garner of The New York Times in his article about The Oxford American
are often the ones who come
from someplace else.
— Dwight Garner of The New York Times in his article about The Oxford American
December 4, 2012
Editor
My boss was impossible:
she eschewed compound sentences,
preferred sans-serif fonts,
and had no respect for the semicolon.
— Rahul Mehta, short story "The Cure" (online at Fifty-Two Stories)
she eschewed compound sentences,
preferred sans-serif fonts,
and had no respect for the semicolon.
— Rahul Mehta, short story "The Cure" (online at Fifty-Two Stories)
November 26, 2012
Weapon Words
A tongue
can strike
harder
than a
hammer,
at times.
— Brian Azzarello, Wonder Woman No. 7 (2012)
can strike
harder
than a
hammer,
at times.
— Brian Azzarello, Wonder Woman No. 7 (2012)
November 25, 2012
Dante's Inferno Bubble Gum
Road Map of Hell
Colorful map shows locations
of people and places of
interest. Folds to pocket size.
Send 75 comics to: Inferno /
P.O. Box 1300 / Brooklyn, IT.
Print clearly.
Not valid where prohibited.
— R. Sikoryak, bubble-gum prize ad from
his "Masterpiece Comics"
Colorful map shows locations
of people and places of
interest. Folds to pocket size.
Send 75 comics to: Inferno /
P.O. Box 1300 / Brooklyn, IT.
Print clearly.
Not valid where prohibited.
— R. Sikoryak, bubble-gum prize ad from
his "Masterpiece Comics"
November 24, 2012
Toothwaste
Rideout returned the smile,
exposing teeth that
were little more than
tiny eroded gravestones.
— Stephen King short story "The Little Green God of Agony" (from "A Book of Horrors" edited by Stephen Jones)
exposing teeth that
were little more than
tiny eroded gravestones.
— Stephen King short story "The Little Green God of Agony" (from "A Book of Horrors" edited by Stephen Jones)
November 23, 2012
Dark Weather
Rain
slowly
slides
down
the glass,
as if
the night
is crying.
— Patricia Cornwell, "Book of the Dead"
slowly
slides
down
the glass,
as if
the night
is crying.
— Patricia Cornwell, "Book of the Dead"
November 16, 2012
Cool-looking authors No. 45
Alix Ohlin, author of the novel "Inside" and the short story collection "Signs and Wonders"
Photo credits: Emma Dodge Hanson Photography; Michael Lionstar
Photo credits: Emma Dodge Hanson Photography; Michael Lionstar
November 12, 2012
Jack Gilbert
His poems seek out
the colossal
within the quotidian.
Everyday grandeur
without grandiloquence.
— John Penner writing in the Los Angeles Times' Jacket Copy blog about poet Jack Gilbert.
the colossal
within the quotidian.
Everyday grandeur
without grandiloquence.
— John Penner writing in the Los Angeles Times' Jacket Copy blog about poet Jack Gilbert.
November 9, 2012
November 3, 2012
October 30, 2012
Art
A picture of Picasso,
clipped from a newspaper,
danced on a bulletin board
to a smell of mildew
that was nearly audible.
— "Property" by Elizabeth McCracken (from "Best American Short Stories 2011")
clipped from a newspaper,
danced on a bulletin board
to a smell of mildew
that was nearly audible.
— "Property" by Elizabeth McCracken (from "Best American Short Stories 2011")
October 21, 2012
Dear John
John had to believe
in God because
he knew the devil.
— Alan Gurganus, writing about the 100th birthday of John Cheever, who was a mentor and friend. Source: The New York Review of Books
in God because
he knew the devil.
— Alan Gurganus, writing about the 100th birthday of John Cheever, who was a mentor and friend. Source: The New York Review of Books
October 20, 2012
The horror
The insertion of found footage
into horror flicks is now
so common as to be
almost compulsory,
like the use of vomiting
in mainstream comedies.
What a golden age
we inhabit.
— Anthony Lane's review of "Sinister" (New Yorker, Oct. 15, 2012)
into horror flicks is now
so common as to be
almost compulsory,
like the use of vomiting
in mainstream comedies.
What a golden age
we inhabit.
— Anthony Lane's review of "Sinister" (New Yorker, Oct. 15, 2012)
October 19, 2012
Meow
Last night dreamed
of two demons
having sex
and found out
it was only
two cats fighting
outside window.
— George Saunders, "The Semplica-Girl Diaries" short story in The New Yorker Oct. 15, 2012, issue
of two demons
having sex
and found out
it was only
two cats fighting
outside window.
— George Saunders, "The Semplica-Girl Diaries" short story in The New Yorker Oct. 15, 2012, issue
October 17, 2012
No Hard Feelings
It must be
the dumbest thing
he's ever said.
No hard feelings?
What could ever be
harder than feelings?
— Sam Lipsyte, "The Dungeon Master" (from "Best American Short Stories 2011")
the dumbest thing
he's ever said.
No hard feelings?
What could ever be
harder than feelings?
— Sam Lipsyte, "The Dungeon Master" (from "Best American Short Stories 2011")
October 13, 2012
October 12, 2012
October 11, 2012
Twins
Remember,
comic books
teach us
that you
will meet
your exact
double
at least
once a week!
— Brian Cronin, from his book "Why Does Batman Carry Shark Repellent?"
comic books
teach us
that you
will meet
your exact
double
at least
once a week!
— Brian Cronin, from his book "Why Does Batman Carry Shark Repellent?"
October 10, 2012
Personal Journeys: Natasha Trethewey
Profile from The Atlanta Journal-Constitution on the new U.S. poet laureate, Natasha Trethewey:
The Nation's Poet
http://www.ajc.com/news/news/the-nations-poet/nSWBk/
The Nation's Poet
http://www.ajc.com/news/news/the-nations-poet/nSWBk/
October 9, 2012
Cool-looking authors No. 41
Zadie Smith, author of "White Teeth," "The Autograph Man," "On Beauty" and "NW"
Photo by Eamonn McCabe
Photo by Eamonn McCabe
October 7, 2012
Post-Oedipal
The Greeks
had Oedipus.
We have TMZ
and the celebration
of petty misfortune.
We've democratized
tragedy, which isn't
necessarily a bad thing.
— Arts and Letters Daily tease to a New Statesman story about "Tragedy's decline and fall"
had Oedipus.
We have TMZ
and the celebration
of petty misfortune.
We've democratized
tragedy, which isn't
necessarily a bad thing.
— Arts and Letters Daily tease to a New Statesman story about "Tragedy's decline and fall"
October 6, 2012
Cool-looking authors No. 40
Junot Diaz, author of the Pulitzer Prize-winning novel "The Brief Wondrous Life of Oscar Wao" and the short story collection "This Is How You Lose Her." The MIT professor is among the latest recipients of the MacArthur genius grants.
Photo by Joey L.
Photo by Joey L.
September 28, 2012
Good Haunting
"I'm glad
it was ghosts,"
she said.
"They're a lot
less dangerous
than people."
— Albert E. Cowdrey, "Asylum" (from Fantasy & Science Fiction magazine, May/June 2012)
it was ghosts,"
she said.
"They're a lot
less dangerous
than people."
— Albert E. Cowdrey, "Asylum" (from Fantasy & Science Fiction magazine, May/June 2012)
September 27, 2012
September 21, 2012
Heat
The sun
was like
a furious
white
blister
in the sky.
— Flannery O'Connor, "You Can't Be Any Poorer Than Dead"
was like
a furious
white
blister
in the sky.
— Flannery O'Connor, "You Can't Be Any Poorer Than Dead"
September 16, 2012
September 8, 2012
On Chuck Norris
Chuck Norris,
who is described
as a "lone wolf,"
though to me
he always
seems more of
a lone marmoset.
— Anthony Lane in his review of "The Expendables 2," in The New Yorker, Sept. 3, 2012
(with my apologies to Mr. Norris)
September 7, 2012
Mobile Punctuation
"Mobile Punctuation"
by Ronnie Sirmans
(From South Carolina Review, Fall 2011)
by Ronnie Sirmans
(From South Carolina Review, Fall 2011)
Reading a printed poem, what I thought
was an orphaned closing parenthesis
amid a stanza detailing a quotidian epiphany
was simply my eyelash that had fallen just so,
so that it could masquerade as a dark mark.
I brushed away the mobile punctuation,
and so my reading had already paused
even though a comma wasn’t there either
in the now empty space between words.
September 6, 2012
Lot and Daedalus
"Lot and Daedalus"
by Ronnie Sirmans
(From Gargoyle issue 56)
His daughter heard the noise first,
certain of a knocking at the door.
Lot went to see. Though his eyes
amazed him at first, he had no doubt.
Lot invited them in, the two with wings.
The winged man and young boy did not understand
the language of the man opening the door.
Daedalus considered these people odd,
this city was not his home. Where had
the divine winds carried him and his son?
The strange man motioned for them to enter.
Human interaction did not require words.
”I am Daedalus,” he said
nonetheless. “This is Icarus,”
nodding toward his child still with wings.
Lot and his family did not understand,
but Lot knew angels spoke with the tongues
of Heaven. The white linen worn by the man
and boy revealed more flesh
than the folds and folds
of modesty draped upon Lot
and his wife and two daughters.
Daedalus asked if they might
rest for a moment, and he discerned
he was not understood. Nor did he
understand the woman’s whisper,
but Daedalus understood the caring
warmth of the smile from Lot’s wife
when she spoke in soft passion, “Angels.”
Daedalus could not make her understand
that they had fallen from the sky,
caught in a maelstrom in darkness,
with man-made wings now seared to skin.
He did not know how to tell her
that dreams and time were intertwined.
Daedalus wondered why he found
himself in this strange land.
Divine aphasia? Young Icarus said
nothing but followed Lot’s daughters
as they took him aside and stroked
his small wings, the feathers
black and white, sturdy but fragile.
Both families went to sleep, not knowing
that the gods did not abide love,
that one would lose his son,
that one would lose his wife,
and that their love stolen by the gods
(gods had the right to take everything)
would become stories told and retold.
September 2, 2012
Lure
No fish
were killed
in the writing
of these poems.
— Title of Beverly Bie Brahic's book review in Poetry, September 2012
were killed
in the writing
of these poems.
— Title of Beverly Bie Brahic's book review in Poetry, September 2012
July 23, 2012
Fear
Come this time tomorrow
we'll be knee deep
in the blood
and thunder.
— Robert Kirkman, "The Walking Dead" issue 100
we'll be knee deep
in the blood
and thunder.
— Robert Kirkman, "The Walking Dead" issue 100
June 30, 2012
Left
Suddenly I wasn't myself anymore.
I was his absence.
Even in my new white veil
and black patent shoes,
I was the dented suitcase
he had left behind.
— Tania James, short story "The Gulf" (Boston Review, March/April 2012)
I was his absence.
Even in my new white veil
and black patent shoes,
I was the dented suitcase
he had left behind.
— Tania James, short story "The Gulf" (Boston Review, March/April 2012)
June 18, 2012
Short story, novel, poem
"You
sound like
your novel."
— Ben Lerner, short story "The Golden Vanity" (New Yorker, June 18, 2012, issue)
sound like
your novel."
— Ben Lerner, short story "The Golden Vanity" (New Yorker, June 18, 2012, issue)
June 17, 2012
June 10, 2012
Faith
Some miracles,
sadly,
are destructive.
— Victor Lodato, "P.E." (short story in New Yorker, April 2, 2012, issue)
sadly,
are destructive.
— Victor Lodato, "P.E." (short story in New Yorker, April 2, 2012, issue)
June 7, 2012
Natasha Trethewey: U.S. poet laureate
The new U.S poet laureate is from metro Atlanta. The first Southerner to hold the post since the original laureate, Robert Penn Warren.
New York Times article
Photo of Natasha Trethewey by Jon Rou
New York Times article
Photo of Natasha Trethewey by Jon Rou
June 6, 2012
May 28, 2012
Cool-looking authors No. 38
Geoff Johns, author of "Justice League Vol. 1: Origin (The New 52)" and numerous other comic book titles and also screenplays.
(Photo courtesy of DC Entertainment)
(Photo courtesy of DC Entertainment)
May 27, 2012
Sci-fi it's not
Rare is the young poet these days who doesn't dice our wired world into a baseline mirepoix.
— Dwight Garner, in his review of poet Michael Robbins' "Alien vs. Predator" in The New York Times, May 23, 2012
— Dwight Garner, in his review of poet Michael Robbins' "Alien vs. Predator" in The New York Times, May 23, 2012
May 26, 2012
Referential
All around him, there are spies.
Some of them are detached observers,
like glass surfaces and still pools;
others, such as coats in store windows,
are prejudiced witnesses, lynchers at heart;
others, again (running water, storms),
are hysterical to the point of insanity,
have a distorted opinion of him,
and grotesquely misinterpret his actions.
He must be always on his guard
and devote every minute and
module of life to the decoding
of the undulation of things.
The very air he exhales is
indexed and filed away.
— Vladimir Nabokov, short story "Symbols and Signs," which I re-read after reading Lorrie Moore's short story "Referential" (New Yorker, May 28, 2012, issue)
Some of them are detached observers,
like glass surfaces and still pools;
others, such as coats in store windows,
are prejudiced witnesses, lynchers at heart;
others, again (running water, storms),
are hysterical to the point of insanity,
have a distorted opinion of him,
and grotesquely misinterpret his actions.
He must be always on his guard
and devote every minute and
module of life to the decoding
of the undulation of things.
The very air he exhales is
indexed and filed away.
— Vladimir Nabokov, short story "Symbols and Signs," which I re-read after reading Lorrie Moore's short story "Referential" (New Yorker, May 28, 2012, issue)
May 25, 2012
Smooth Talker
Wendy's
the kind of girl
whose words
pour
as easy
as cupcake batter.
— Sheri Reynolds, "The Sweet In-Between"
the kind of girl
whose words
pour
as easy
as cupcake batter.
— Sheri Reynolds, "The Sweet In-Between"
May 23, 2012
Animated poetry
Billy Collins' TED talk, in which he shares animations made of some of his poems. The esteemed Mr. Collins.
May 22, 2012
Magnetic Poetry Blues
The grunge-meets-gospel
chorus is nice, but the rest
sounds like it was written
with a magnetic poetry kit
she had left over from the '90s.
— Melissa Maerz (Entertainment Weekly review of Alanis Morissette's new single, "Guardian," in May 25, 2012, issue)
chorus is nice, but the rest
sounds like it was written
with a magnetic poetry kit
she had left over from the '90s.
— Melissa Maerz (Entertainment Weekly review of Alanis Morissette's new single, "Guardian," in May 25, 2012, issue)
May 16, 2012
Hair Ball
In Hong Kong,
Gaga rocked
a dress made
from the manes
of thousands of
My Little Ponies.
— From Rolling Stone's "Random Notes" feature (May 24, 2012 issue)
May 15, 2012
Faith
She could never
be a saint, but
she thought she
could be a martyr
if they killed her quick.
— Flannery O'Connor, "A Temple of the Holy Ghost" short story
be a saint, but
she thought she
could be a martyr
if they killed her quick.
— Flannery O'Connor, "A Temple of the Holy Ghost" short story
May 10, 2012
Mermaid
Always swimming underwater,
the black waves of her hair
flowing behind her
like a school of eels.
— Junot Diaz, "Miss Lora" (short story in The New Yorker, April 23, 2012)
the black waves of her hair
flowing behind her
like a school of eels.
— Junot Diaz, "Miss Lora" (short story in The New Yorker, April 23, 2012)
May 7, 2012
Seaside
Just because
a place is
on a body
of water
doesn't make
it a resort.
— Sheri Reynolds, "The Sweet In-Between"
a place is
on a body
of water
doesn't make
it a resort.
— Sheri Reynolds, "The Sweet In-Between"
April 25, 2012
Kooser
It's the birthday of Ted Kooser, who puts together the "American Life in Poetry" that runs in newspapers (and online, of course). More about him here at Writer's Almanac, which included this note: He wanted to be a writer, but he flunked out of graduate school. So he took the first job he was offered, at a life insurance company, and he worked there for 35 years. He said: "I believe that writers write for perceived communities, and that if you are a lifelong professor of English, it's quite likely that you will write poems that your colleagues would like; that is, poems that will engage that community. I worked every day with people who didn't read poetry, who hadn't read it since they were in high school, and I wanted to write for them."
April 24, 2012
Hooked
I've got my daddy's old rod and reel,
the red one with the soft cork handle.
It's got dents from where
his fingers used to go.
— Sheri Reynolds, "The Sweet In-Between"
the red one with the soft cork handle.
It's got dents from where
his fingers used to go.
— Sheri Reynolds, "The Sweet In-Between"
April 19, 2012
Metaphor
He looked up. He said,
"What do you suppose
this word means?"
He held out the magazine
to me and pointed to the page.
I walked over to the bed
and looked. He was pointing
to the word metaphor.
He said, "It must mean like
a sign, a signal of some kind."
I said, "Like from outer space?"
He said, "Yes."
I said, "Like from God?"
He said, "I don't know."
We looked at the word
metaphor for a long time.
Neither of us dared
to pronounce it. It lay there
on the white page being itself,
like a signal from outer space.
— Lewis Nordan, "Music of the Swamp"
"What do you suppose
this word means?"
He held out the magazine
to me and pointed to the page.
I walked over to the bed
and looked. He was pointing
to the word metaphor.
He said, "It must mean like
a sign, a signal of some kind."
I said, "Like from outer space?"
He said, "Yes."
I said, "Like from God?"
He said, "I don't know."
We looked at the word
metaphor for a long time.
Neither of us dared
to pronounce it. It lay there
on the white page being itself,
like a signal from outer space.
— Lewis Nordan, "Music of the Swamp"
April 18, 2012
Chicken-fishing
I never had caught a chicken.
I had had lots of bites,
but I never had landed one,
never really even set the hook in one.
They're tricky, a chicken.
— Lewis Nordan, "Sugar Among the Chickens"
(From the story collection "The All-Girl Football Team")
I had had lots of bites,
but I never had landed one,
never really even set the hook in one.
They're tricky, a chicken.
— Lewis Nordan, "Sugar Among the Chickens"
(From the story collection "The All-Girl Football Team")
April 17, 2012
Lewis Nordan, 1939-2012

One of my favorite writers has passed away. Lewis Nordan wrote about a South that was magical and absurd and real. Author of "Welcome to the Arrow-Catcher Fair," "Music of the Swamp," "Wolf Whistle," "Lightning Song" and "Sugar Among the Freaks" and more.
(Photo by Miriam Berkley - from New York Times obituary.)
April 16, 2012
The Reader
People don’t listen that hard when they read anymore.
— Clive James, in an article about the critic Dwight Macdonald
(The Atlantic, May 2012)
— Clive James, in an article about the critic Dwight Macdonald
(The Atlantic, May 2012)
April 9, 2012
A hush
There was a silence
with things
going on in it.
— Dorothy Parker, "Here We Are"
("Best American Short Stories of the Century")
with things
going on in it.
— Dorothy Parker, "Here We Are"
("Best American Short Stories of the Century")
March 18, 2012
Deceiving
Sometimes
sophistication
looks like
naivete.
— Joan Acocella, "Critic's Notebook: Heaven on Earth"
(New Yorker, March 5, 2012)
sophistication
looks like
naivete.
— Joan Acocella, "Critic's Notebook: Heaven on Earth"
(New Yorker, March 5, 2012)
March 14, 2012
March 2, 2012
Pothole people
While the road of good intentions
might end in hell, the people
who tried to fill the potholes
along the way deserved
at least some credit.
— Stephen King, "The Library Policeman" from "Four Past Midnight"
might end in hell, the people
who tried to fill the potholes
along the way deserved
at least some credit.
— Stephen King, "The Library Policeman" from "Four Past Midnight"
February 27, 2012
Cool-looking authors No.36
February 26, 2012
Cool-looking authors No.35
February 16, 2012
Cool-looking authors No.34
February 15, 2012
Life
... life's for living ...
so if you get the chance,
you better take it.
Even eighty years
goes by fast.
— Janice Daugharty, "Name of Love"
(short story included in "New Stories from the South")
so if you get the chance,
you better take it.
Even eighty years
goes by fast.
— Janice Daugharty, "Name of Love"
(short story included in "New Stories from the South")
February 14, 2012
Romance
There is no beginning
to love.
It just
creeps over you.
— Bailey White, "Quite a Year for Plums"
to love.
It just
creeps over you.
— Bailey White, "Quite a Year for Plums"
February 4, 2012
February 2, 2012
Unequal Pleasure
A vasectomy might cost
as much as a year’s worth
of ice cream,
but that doesn’t mean
it’s equally enjoyable.
— Ezra Dyer, author of New York Times article about the 2012 VW Eos
as much as a year’s worth
of ice cream,
but that doesn’t mean
it’s equally enjoyable.
— Ezra Dyer, author of New York Times article about the 2012 VW Eos
Labels:
Eos,
Ezra Dyer,
ice cream,
New York Times,
vasectomy,
Volkswagen,
VW
January 31, 2012
Colorful history
Could the past
be a kaleidoscope,
a pattern of images
that shift with
each disturbance
of a sudden breeze,
a laugh, or
a thought?
— Alan Lightman, "Einstein's Dreams"
be a kaleidoscope,
a pattern of images
that shift with
each disturbance
of a sudden breeze,
a laugh, or
a thought?
— Alan Lightman, "Einstein's Dreams"
Labels:
breeze,
Einstein,
Einstein's Dreams,
history,
kaleidoscope,
laugh,
past
January 28, 2012
Cool-looking authors No. 32
January 16, 2012
Shave
How important is facial hair
as an acting tool?
It's incredibly important.
It's like doing an accent
or speaking another language.
It's a great tool
for building a character.
— Gael Garcia Bernal, actor with goatee
featured in Gillette's "Masters of Style" ad
as an acting tool?
It's incredibly important.
It's like doing an accent
or speaking another language.
It's a great tool
for building a character.
— Gael Garcia Bernal, actor with goatee
featured in Gillette's "Masters of Style" ad
January 12, 2012
Office
In the dim light that seeps
through the room, the desks
appear shadowy and soft,
like large sleeping animals.
— Alan Lightman, "Einstein's Dreams"
through the room, the desks
appear shadowy and soft,
like large sleeping animals.
— Alan Lightman, "Einstein's Dreams"
January 11, 2012
Jawbone Phone
What's happened
to our civilization?
When did it become
okay for non-crazy
people to babble
their personal
nonsense in public?
— Daniel Clowes, "Mister Wonderful"
to our civilization?
When did it become
okay for non-crazy
people to babble
their personal
nonsense in public?
— Daniel Clowes, "Mister Wonderful"
January 10, 2012
January 9, 2012
Home
He felt
his usual
vertigo
as he entered
the house.
— Joyce Carol Oates, short story "Labryinth"
(McSweeney's 29)
his usual
vertigo
as he entered
the house.
— Joyce Carol Oates, short story "Labryinth"
(McSweeney's 29)
Labels:
home,
house,
Joyce Carol Oates,
labryinth,
McSweeney's,
vertigo
January 8, 2012
January 7, 2012
Cool-looking authors No.29
January 6, 2012
Cool-looking authors No.28
January 5, 2012
Reflection
On the bathroom floor
slivers of mirror
glittered like
a nightclub's promise.
— Robert McCarthy, short story "Stag"
(One Story #126)
slivers of mirror
glittered like
a nightclub's promise.
— Robert McCarthy, short story "Stag"
(One Story #126)
January 4, 2012
Romance
January 3, 2012
Cool-looking authors No. 26 and 27
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John Cheever (left) and John Updike
Both great short story writers. Cheever, author of "Wapshot" novels; Updike, author of "Rabbit" novels.
[Year, photographer unknown; source: this recording.com]
January 2, 2012
Cool-looking authors No. 25
January 1, 2012
Haunted
They have become prone
to apocalyptic forebodings
about the fragility
of the nation’s
institutions
and traditions.
... a specter is haunting
progressivism,
the specter of abundance.
— George Will,
Washington Post column, 12-30-11
to apocalyptic forebodings
about the fragility
of the nation’s
institutions
and traditions.
... a specter is haunting
progressivism,
the specter of abundance.
— George Will,
Washington Post column, 12-30-11
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